Canadian & Portland / Mat Collishaw

One of our longest and most intricate commissions for the studio was this once in a lifetime opportunity to work with a world-famous artist and maverick, Matt Colinshaw, on a project in Kingston.

Overview

Back in 2019, we were introduced to the developers Canadian and Portland who own stretches of land in Kingston along the river and had commissioned several artworks in the landscape around the area.

Their latest commission was a film by Mat Collishaw “Echolocation” and Mat wanted to work with student animators to realise a bat in the LIDAR scan footage of All Saints Church in Kingston.

Two students from different disciplines teamed up in lockdown to work on the rigging and movement of the bat and painstakingly add it to the existing footage.

We were lucky enough to visit Mat’s studio in Camberwell and see work in progress on a test screen in September 2020.

The launch of the project was hampered to lockdown restrictions - it was slated for a Halloween 2020 premiere but we were then subject to a second lockdown in the UK. The project was finally unveiled in April 2021, much to the students delight.

Studio KT1 are now working on animations to activate the screen during the day and when Echolocation is not on show.

Echolocation - Mat Collishaw 2021

Echolocation is an 11m-long three-channel video installation that seeks to excavate more than a millennium of local history.

When Athelstan, the first king of a unified England and the first to wear a crown, ascended the throne in 925, he chose to be “consecrated” in Kingston upon Thames. 

Indeed, seven Anglo-Saxon kings – among them Eadweard the Elder, Ethelred the Unready and Eadweard the Martyr – are believed to have been crowned here on the King’s Stone, a sarsen geologically similar to those at Stonehenge. It survives to this day, though the original chapel outside which it stood is long gone, replaced by All Saints Church.

Using Lidar, a method of measuring distances using a pulsed laser, data from which is then used to construct a digital 3D representation of a space, a virtual version of the church was created. It’s a process that relates to echolocation, the method by which bats navigate, determining the location of objects by sound. 

Kingston is a bat-conservation area, and seven species have been recorded across the river in Bushy Park. Bats are also harbingers of change. But unlike the spectral evocation of the church and its Gothic interior, which is based on its actual architecture, the bats in the video are animations, a reference to the work of Eadweard Muybridge, who pioneered stop-motion photography and motion-picture projection with his studies of moving animals and was another Kingston resident. Born in 1830, he was christened Edward at All Saints, only later assuming the spelling Eadweard after the Saxon kings. He died, aged 74, a mile from here, at 2 Liverpool Road.

The video is projected on to a semi-transparent fine mesh made from stretched fishing net. (Kingston’s coat of arm consists of three silver salmon on a blue ground, representing three fisheries that are mentioned in the Domesday Book, after which the town became known as Kyngeston super Tamisiam, after the Latin for sieve or filter.) This gives the images both depth and an ethereal quality like a free-flowing X-ray of an unseen past, a ghostly palimpsest that interrogates the history of this ancient place.

This project was commissioned by Canadian & Portland Estates and was created in collaboration with Lorena Popovici, BA Digital Media :Creative Computer Graphics and Media Technology, Faculty of Science Engineering and Computing at Kingston University (bat animation) and Josephine Miller, BA Art Direction, Creative and Cultural Industries at Kingston School of Art (bat texturing) in conjunction with Studio KT1.